Theseus tells Hippolyta he can barely wait the four days until their wedding. The wedding establishes the theme of love, while Hippolyta's response connects love to dreams. The idea that it's the nights, rather than the people, that will dream suggests dreams are more than just figments of imagination.
Summary Analysis Elsewhere in Athens, a group of common laborers including Snug a joinerBottom a weaverFlute a bellows-menderSnout a tinkerand Starveling a tailor meet at the house of Peter Quince, a carpenter.
They are meeting about the play they hope to perform as part of the celebration for Theseus and Hippolyta's wedding: The most lamentable comedy and most cruel death of Pyramus and Thisbe.
With the laborer's and their play, A Midsummer Night's Dream introduces its theme of a play within a play. And just from the title of the play it's clear that the laborers are not destined to be great actors. Quince calls out each man's name and his role in the play.
Bottom is to play Pyramus. Bottom asks if Pyramus is "a lover or a tyrant" 1.
When Quince says a lover who dies for love, Bottom boasts about the tears he'll draw from the audience, though he adds he'd be even better as a tyrant. Bottom's constant interruptions show both that he considers himself an authority on the theater and that in this estimation of himself he's very, very wrong.
Note also that this play about lovers dying for love is almost identical to the situation faced by Lysander and Hermia. Flute is slated to play the part of Thisbe, but Flute doesn't want to play a woman's part because he has a beard growing.
Quince decides that Flute will play the role in a mask. Bottom again interrupts, asking to be allowed to play Thisbe as well as Pyramus, and showing how he can speak like a woman.
Flute's dilemma about his beard interfering with his ability to play a woman mocks the Elizabethan rule that only men could be actors, meaning that all women's roles were also played by men. Bottom continues to want to be the center of attention.
Active Themes Quince continues handing out parts. When Quince announces Snug will be the lion, Bottom begs to be allowed to play the lion. He brags about how loud he'll roar. After Quince objects that he might scare the ladies and get them all hanged, Bottom promises to roar as gently as a dove or nightingale.
Quince again says Bottom can only play Pyramus, at which Bottom goes into extended thought about what color beard he should wear.
Beyond the fact that roaring as gently as a nightingale is a funny idea, the laborer's misunderstanding about theater is important.
They seem to think that the audience can't distinguish between fiction and reality. Through this mistake, they point out how crucial the audience's willing suspension of disbelief is to a play. To ensure privacy, Quince asks them all to meet him in the forest near the palace that night.
There, they will rehearse. Now both the actors and the lovers will be in the forest tomorrow night. Retrieved November 27, Puck, also known as Robin Goodfellow, is a character in William Shakespeare's play A Midsummer Night's Dream, based on the ancient figure of Puck found in English mythology.
Puck is a clever, mischievous fairy, sprite, or jester.
A Midsummer Night’s Dream by: William Shakespeare First performed around , Shakespeare’s comic fantasy of four lovers who find themselves bewitched by fairies is a sly reckoning with love, jealousy and marriage. - In William Shakespeare’s book, A Midsummer Night’s Dream, magic is a powerful and useful tool for the characters that have the capability to use it.
Some of the characters abuse the power of magic, while others are more responsible in how they use it. In A Midsummer Night's Dream, why are Oberon and Titania fighting over an Indian Boy?
6 educator answers What are some examples of personification in Shakespeare's A Midsummer Night's Dream.
In William Shakespeare”s a Midsummer Night”s Dream, the erotic absolute will inevitably be embodied in a successful rival. Helena cannot fail to be torn between worship and hatred of Hermia. An Introduction to A Midsummer Night's Dream No play was ever named more appropriately than this; it is a "Dream," - a dream composed of elves, mistakes, wild fantasies, and the grotesque.