They see the lights on the coast of France just twenty miles away, and the sea is quiet and calm. When the light over in France suddenly extinguishes, the speaker focuses on the English side, which remains tranquil. He trades visual imagery for aural imagery, describing the "grating roar" of the pebbles being pulled out by the waves. He finishes the first stanza by calling the music of the world an "eternal note of sadness.
Summary… This is a poem about a sea and a beach that is truly beautiful, but holds much deeper meaning than what meets the eye.
The poem is written in free verse with no particular meter or rhyme scheme, although some of the words do rhyme. Arnold is the speaker speaking to someone he loves. As the poem a progress, the reader sees why Arnold poses the question stated above, and why life seems to be the way it is.
In this way, Arnold is setting the mood or scene so the reader can understand the point he is trying to portray. In lines he is talking about a very peaceful night on the ever so calm sea, with the moonlight shining so intensely on the land. The sea is starting to become rougher and all agitated.
Throughout the whole poem, Arnold uses a metaphor to describe his views and opinions. The whole poem is based on a metaphor — Sea to Faith.
When the sea retreats, so does faith, and leaves us with nothing.
Arnold also makes use of imagery, to give the audience a very specific and detailed setting. Arnold also contradicts himself in the poem. The beginning line of the last stanza begins with “Ah, love, let us be true”, however, a few lines later he states “hath neither joy, nor love, nor light” (II. ). Matthew Arnold (24 December – 15 April ) was an English poet and cultural critic who worked as an inspector of schools. He was the son of Thomas Arnold, the famed headmaster of Rugby School, and brother to both Tom Arnold, literary professor, and William Delafield Arnold. Matthew Arnold claimed that “the study of literature gives you the best vantage point from which to understand an entire society”. Literature helps us know. It is a constant tutor in human experience, part of what Matthew Arnold called “humanized knowledge,” the essence of culture.
In the last nine lines, Arnold wants his love and himself to be true to one another. In reality, Arnold is expressing that nothing is certain, because where there is light there is dark and where there is happiness there is sadness.
Arnold uses much alliteration in the poem. The diction Arnold uses creates a sense of peacefulness and calmness.
It is fairly easily understood vocabulary, with the exception of a few words, such as cadence and darkling. When everything is going perfectly, something unfortunate may happen at any given time, with no forewarning.What does either Arnold or the persona sound like he’s trying to do in this poem?
Dialogue/diction: Does the voice-persona try to make a particular point or argument here? THE SIGNIFICANCE OF MATHEW ARNOLD’S CRITICAL THEORY. Mathew Arnold's theory of literary criticism is founded primarily on study of the Greek classics.
This clue, if it is followed intelligently, aids more than anything else does in not the richness of imagery, not the. Matthew Arnold uses many literary techniques to make Dover Beach such a prominent and well-known poem. By rhetorical schemes, tropes, and imagery, Arnold demonstrates a theme that can connote many different ideas.
MATTHEW ARNOLD () Arnold is the most important critic of the Victorian Age His excessive use of imagery. Arnold's criticism of Vitet a French critic, illustrates his 'touchstone method’ o The touchstone method states that in order to judge a.
This chapter examines the use of the heart in religious discourse.
In Evangelicalism, Roman Catholicism, and the emerging culture of doubt, appeals to the heart and to the truth of feeling were relatively commonplace, whereas Anglican writers were suspicious of such appeals and sought to control and contain over-emotional expressions of faith.
In the poem "Dover Beach",witten in Matthew Arnold creates the mood of the poem through the usage of different types of imagery. He uses a dramatic plot in the form of a soliloquy. Arnold also uses descriptive adjectives, similes and metaphors to create the mood.